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| Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Feb 14, 2025 | Paddington in Peru | $75,336,729 | $12,761,398 | $45,770,312 | $192,115,012 |
| Jan 12, 2018 | Paddington 2 | $11,001,961 | $40,964,849 | $228,577,359 | |
| Jan 16, 2015 | Paddington | $55,000,000 | $18,966,676 | $76,223,578 | $267,463,854 |
| Averages | $65,168,365 | $14,243,345 | $54,319,580 | $229,385,408 | |
| Totals | 3 | $130,336,729 | $162,958,739 | $688,156,225 | |
| Release Date | Title | Domestic Video Sales to Date | Watch Now |
|---|---|---|---|
| Mar 23, 2015 | Paddington | Netflix | |
| Apr 28, 2015 | Paddington | $23,122,494 | Netflix Hulu Amazon iTunes Google Vudu |
| Mar 27, 2018 | Paddington 2 | $5,523,982 | Hulu Amazon iTunes Google Vudu |
| Feb 14, 2025 | Paddington 3-Movie Collection | Vudu | |
| Apr 1, 2025 | Paddington in Peru | Vudu | |
| Totals | $28,646,476 | ||
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
March 6th, 2025
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After three weekends as the widest release in the land, Captain America: Brave New World will fall into second place as newcomer Mickey 17 makes its way onto North American shores. The film will not make its debut alone, however, as a plethora of films will join Mickey 17 on the domestic launchpad.
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February 27th, 2025
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Captain America: Brave New World once again landed the number one spot at the domestic box office last weekend, scoring over $28 million in its second weekend and doubling the second place finisher, The Monkey, as it made its first foray onto the big screen, opening just above $14 million from 3,200 locations. This weekend, three new wide releases will make their debuts, but for at least one more week, Captain America will remain the widest release in the land.
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February 13th, 2025
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Despite the arrival of two newcomers to the big screen, it was a rather slow weekend at the domestic box office with Dog Man scoring just shy of $14 million, taking top billing in its second weekend and stifling the debuts of Love Hurts and Heart Eyes, which closed out the weekend with earnings of $5.8 million and $8.31 million, respectively. This weekend brings on two more films making their first foray into cinemas, including Captain America: Brave New World.
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February 6th, 2025
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Dog Man opened last weekend to a rather unexpected good fortune as the animated feature pawed its way to a solid $36 million in its theatrical debut while outpacing the other newcomer, Companion, by nearly $27 million over the three-day period. To remain number one this weekend, however, the film will have to fend off not only another pair of newcomers but also compete against Super Bowl LIX.
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November 15th, 2017
For the third weekend in a row, Thor: Ragnarok dominated the international chart, earning $75.9 million in 56 markets for totals of $438.5 internationally and $650.6 million worldwide. The film fell 59% during its second weekend in China, but this is actually much better than average for the market. It added $21.71 million this past weekend, pushing its running tally to $95.51 million after just two weeks of release in that market. The film held up even better in the U.K., where it dipped just 33% to $4.05 million in 569 theaters for a three-week total of $34.07 million. Its next biggest international market was South Korea, where it has earned $31.07 million, including $3.53 million on 856 screens this past weekend. The film already has more worldwide than either of the previous Thor films earned in total. It has entered the top ten in the MCU and it is on pace to enter the top five on that chart before its done.
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Note: This list contains actors who appeared in at least two movies in the franchise.
| Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Hugh Bonneville | 3 | Henry Brown | $688,156,225 | $1,768,798,403 | 38.9% |
| Julie Walters | 3 | Mrs. Bird | $688,156,225 | $9,982,571,395 | 6.9% |
| Jim Broadbent | 3 | Samuel Gruber | $688,156,225 | $7,945,963,695 | 8.7% |
| Ben Whishaw | 3 | Paddington | $688,156,225 | $4,377,057,025 | 15.7% |
| Imelda Staunton | 3 | Aunt Lucy | $688,156,225 | $6,334,718,705 | 10.9% |
| Simon Farnaby | 3 | Barry | $688,156,225 | $1,349,776,130 | 51.0% |
| Sally Hawkins | 2 | Mrs. Brown | $496,041,213 | $2,594,557,451 | 19.1% |
| Peter Capaldi | 2 | Mr. Curry | $496,041,213 | $886,358,669 | 56.0% |
| Michael Gambon | 2 | Uncle Pastuzo | $496,041,213 | $8,401,622,643 | 5.9% |
| Madeleine Harris | 2 | Judy Brown | $459,578,866 | $459,578,866 | 100.0% |
| Samuel Joslin | 2 | Jonathan Brown | $459,578,866 | $629,169,472 | 73.0% |
| Hugh Grant | 2 | Phoenix Buchanan | $420,692,371 | $4,479,608,272 | 9.4% |
| Ben Miller | 2 | Colonel | $420,692,371 | $750,837,416 | 56.0% |
| Robbie Gee | 2 | Mr. Barnes | $420,692,371 | $504,378,201 | 83.4% |
| Sanjeev Bhaskar | 2 | Dr. Jafri | $420,692,371 | $896,879,475 | 46.9% |
| Jessica Hynes | 2 | Miss Kitts | $420,692,371 | $1,888,246,832 | 22.3% |
| Joel Fry | 2 | Joe the Postman | $420,692,371 | $812,150,295 | 51.8% |
Note: This list contains people who contributed to at least two movies in the franchise.
| Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
|---|---|---|---|---|---|
| Paul King | 3 |
Director (2) Screenwriter (2) Story-Screen Story (2) Executive Producer (1) |
$688,156,225 | $1,322,850,613 | 52.0% |
| Michael Bond | 3 |
Story Creator (2) Character Creator (1) |
$688,156,225 | $688,156,225 | 100.0% |
| Rosie Alison | 3 |
Executive Producer (2) Producer (1) |
$688,156,225 | $1,359,587,943 | 50.6% |
| Jeffrey Clifford | 3 | Executive Producer (3) | $688,156,225 | $1,275,098,272 | 54.0% |
| Ron Halpern | 3 | Executive Producer (3) | $688,156,225 | $2,024,746,912 | 34.0% |
| Tim Wellspring | 3 |
Unit Production Manager (1) Line Producer (1) Executive Producer (1) |
$688,156,225 | $1,344,990,177 | 51.2% |
| David Heyman | 2 | Producer (2) | $496,041,213 | $14,353,773,835 | 3.5% |
| Simon Farnaby | 2 |
Screenwriter (1) Story by (1) |
$420,692,371 | $1,060,211,401 | 39.7% |
| Alexandra Ferguson | 2 | Executive Producer (2) | $496,041,213 | $1,500,045,805 | 33.1% |
| Bob Weinstein | 2 | Executive Producer (2) | $496,041,213 | $14,671,428,370 | 3.4% |
| Mark Everson | 2 | Editor (2) | $496,041,213 | $1,252,131,756 | 39.6% |
| Erik Wilson | 2 | Director of Photography (2) | $496,041,213 | $533,752,677 | 92.9% |
| Gary Williamson | 2 | Production Designer (2) | $496,041,213 | $500,690,420 | 99.1% |
| Erik Alexander Wilson | 2 | Director of Photography (2) | $420,692,371 | $429,488,620 | 98.0% |
| Lindy Hemming | 2 | Costume Designer (2) | $496,041,213 | $8,458,577,640 | 5.9% |
| Nina Gold | 2 | Casting Director (2) | $496,041,213 | $12,368,903,119 | 4.0% |
| Dario Marianelli | 2 | Composer (2) | $420,692,371 | $2,859,292,205 | 14.7% |
| Nick Angel | 2 | Music Supervisor (2) | $420,692,371 | $1,862,129,400 | 22.6% |
| Pablo Grillo | 2 | Animation Director (2) | $420,692,371 | $420,692,371 | 100.0% |
| Jack Ravenscroft | 2 | Assistant Director (2) | $496,041,213 | $5,003,052,884 | 9.9% |
| Rob Silva | 2 |
Associate Producer (1) Executive Producer (1) |
$420,692,371 | $1,462,525,030 | 28.8% |
| Ben Irving | 2 | Associate Producer (2) | $496,041,213 | $496,041,213 | 100.0% |
| Andy Kind | 2 | Visual Effects Supervisor (2) | $496,041,213 | $496,041,213 | 100.0% |
| Glenn Freemantle | 2 |
Supervising Sound Editor (2) Sound Designer (1) |
$496,041,213 | $5,259,097,667 | 9.4% |
| Danny Hambrook | 2 | Sound Mixer (2) | $496,041,213 | $1,071,913,743 | 46.3% |
| Cathy Cosgrove | 2 | Set Decorator (2) | $496,041,213 | $518,193,350 | 95.7% |
| Niv Adiri | 2 | Re-recording Mixer (2) | $496,041,213 | $5,032,805,521 | 9.9% |
| Ian Tapp | 2 | Re-recording Mixer (2) | $496,041,213 | $3,558,603,394 | 13.9% |
